This volume contains nearly all the criticism that Alexander Coleman wrote for The New Criterion between 1994 and 2003. A specialist in Spanish, Portuguese, and Latin American literature, Coleman was also a superb essayist on music, and his wide erudition, as revealed in these writings, demonstrates...
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The translations take into account the final textual revisions by Jorge Luis Borges in his Obras completas, Emecé Editores, 1989. Any previous version of a poem published in English has been modified where necessary so that it conforms to the final state of the work as left by the author.
<P><P>Th...
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